The manipulative character of iago in othello a play by william shakespeare

The fall of a proud, dignified man, the murder of a graceful, loving woman, and the unreasoning hatred of a villain, have all evoked fear and pity in audiences throughout the centuries. If it lacks the cosmic grandeur of some of Shakespeare's other well-respected dramas, Othello nevertheless possesses a power that is perhaps more immediate and more strongly felt than that of his other plays. Othello is also unique among Shakespeare's great tragedies in that it is set in a private world. The drama focuses on the passions and personal lives of its major figures.

The manipulative character of iago in othello a play by william shakespeare

Shakespeare accomplishes this perfect personification of evil by bestowing Iago with the traits that lead to a state of amoralism and generalized evilness. One such trait is how manipulative Iago is. Another is his lack of moral boundaries.

Then there is how incredibly clever and deceptive Iago is.

The manipulative character of iago in othello a play by william shakespeare

Another reason that Iago is a great personification of evil is because he so closely resembles historical and other literary figures that are generally considered to be evil as well. The first and foremost quality of Iago that makes him so amoral would have to be his manipulative actions.

Iago also manipulates his friend Roderigo from the very start of the play, Roderigo tends to be very dull mentally and because of this Iago often exploits him. In Act 1 Scene 3, Iago manipulates Roderigo by taking advantage of his emotional state. Roderigo is crushed because he realizes that because she is married he cannot have Desdemona.

By itself it would not be very manipulative to give such advice, but Iago tells Roderigo that HE will personally deliver the gifts.

Iago, being the manipualative character that he is, embezzles the funds for his own benefit. When Roderigo confronts Iago about stealing the money, Iago gives Roderigo a long speech and ultimately convinces Roderigo to kill Cassio.

He achieves this by making Roderigo believe that Cassio is trying to court Desdemona as well.

Literary terms

The main conflict in this story is the ruining of the relationship between Othello and Desdemona. The means by which Iago goes about achieving this is by the manipulation of Othello.

Iago convinces Othello that Desdemona is unfaithful and ultimately leads to the dramatic Act 5 scene 2 in which Othello kills Desdemona. He then gets Cassio to give the handkerchief to his lady-friend Bianca. When Othello sees that Cassio has the gift that he had previously given Desdemona, it reaffirmed his belief that Desdemona was cheating on him.

The second quality that makes Iago into a realistically evil character is his lack of moral boundaries. Iago is amoral in almost nearly all of his actions and intents. Not once in the book does Iago question his own actions. This leads one to believe that perhaps the Iago does not even possess a conscience.

There are no boundaries morally that Iago fears crossing. When a dispute broke out, Iago testified saying that Cassio was the cause of the dispute.

A boundary crossed time and time again is when Iago tells lies without a shred of remorse. Moral boundaries were once again proven irrelevant to Iago when he stabbed his own wife in Act 5 scene 2.

Instead of being remorseful and guilty for what he had done, Iago took a vow of silence so as not to say anything incriminating. Three main moral boundaries were crossed by Iago, he is not adverse to making people do things that are detrimental to their overall state of being, he is unbothered by stealing, and he does not shy away from the ultimate amoral action of killing a innocent human being.

Although not a quality, Iago demonstrates jealousy which as everyone has been taught can only lead to amoral actions.Shakespeare's tragedy Othello, written and performed in and first printed in , is based on a tale in Cinthio's Hecatommithi (), "Un Capitano Moro." What's interesting to modern readers is how Shakespeare adapted these stories, turning bare narratives into gripping drama.

One of the nine alignments from the best-known Character Alignment system. If Chaotic Neutral is the truly free spirit, Chaotic Evil is the truly free evil . Othello: Iago's Manipulative Nature Revenge is the main theme in the play Othello by William Shakespeare and it is portrayed from the character Iago.

This opening scene sets forth the key elements to understanding Iago's basic character and the play's conflict.

Emilia exposes Iago’s deceptions, Othello kills himself, and Iago is taken away to be tortured. Resolution The intrigue of Othello is watching Iago work his manipulative magic.

A character's identity is the overall essence of that character, however, in plays such as Shakespeare's there must always be an element of tragic flaw to the play thus creating conflict. In Othello, conflict ultimately arises through the plotting and scheming of one central, manipulative character representative of evil, Iago.

Shakespeare has characterised Iago as one of the most manipulative character in literature, and as. such he is largely responsible for the tragic events in Othello.

Othello: Iago's Manipulative Nature - Research Paper Example :